Luc Besson returns to space opera in a movie that has been in the making over decades. Will has he managed to create another master piece?

The final chapter in the new Planet of the Apes trilogy is here! Does it live up to high standards set by its two predecessors? No, it exceeds them.

The Necromancer adds mechanical depth to a game which has hidden the obvious for quite some years. It's an incredible class that's fun to play but extremely overpowered at the moment.

Even though 2017 was dominated by blockbuster console games, Ever Oasis on the 3DS managed to be one of the most charming and fun games I played this year. Flaws aside, this little gem deserves your attention

With a deck stacked against it in a genre that produces more turds than diamonds, producer Adi Shankar was talking big about Netflix’s stab at Konami’s Dracula mythos when Castlevania was first announced as an upcoming animated series. This wasn’t just going to be a quick spin-off with a few flashy fight scenes, but rather the best damn R-rated vampire-slaying adaptation ever made. Shankar wasn't lying.

It looks nice, and it’s fun to play for a short while - but it’s such a pallid production that it just feels like a shadow of the game it could have been. Micro Machines deserves better.

If space is the final frontier, then everything in it is a bastard. That’s the lesson that I took home from Cryptark, a game of many parts that mesh together to create a salvage-stealing machine. On first glance, Cryptark takes the form of a 2D twin-stick shooter in space that has you exploring the husky remains of derelict spacecraft in pursuit of some of that sweet sweet loot.

More than twenty years after the manic marsupial first graced the PlayStation, the return of Crash Bandicoot isn’t just welcome…it just feels right. A throwback to a more positive time, Crash Bandicoot N.Sane Trilogy is a testament to timeless game design and an example of a remaster done right by two studios split across two eras.