The world is under attack. Monsters have invaded our streets and our homes, and there’s only one thing that can stop them: METAL.

Rebel Wilson is going to play the lead role in a new comic book adaptation that sounds a little too much like it could actually become a possibility.

The Rob Liefeld of today is a far cry of the artist who helped create characters like Deadpool and the super-team Youngblood. Liefeld’s art has matured, although it’s still wonderfully iconic in its own unique way. Even better? Liefeld is apparently aware of the jokes, and he’s rolling with it. That’s not just fun, that’s admirable. Which brings us to the most Liefeld-esque creation you’ll ever see: The Pouch!

FARMHAND follows farmer Jedidiah Jenkins whose cash crop isn’t corn or soy… it’s a little more unusual. Jed grows fast-healing, plug-and-play human organs. Lose a finger? Need a new liver? He’s got you covered. Unfortunately, strange produce isn’t the only thing Jed’s got buried. Deep in the soil of the Jenkins Family Farm, something dark has taken root, and it’s beginning to bloom. FARMHAND is a dark comedy about science gone sinister and agriculture gone apocalyptic.

The men and women who breathe colourful life into the art are some of the most unrecognised talents on the planet today. Colour makes a page pop, it makes a story sing and it conveys a certain mood.This month, Image Comics is looking to pay tribute to that talent with the #WeBelieve in Colourists (I am NOT spelling it as Colorist, sorry guys) initiative, that showcases just how varied the spectrum of skill is even when its applied to the exact same cover.

Invincible was and still remains a visual tour de force of intimate moments and planet-shattering conflicts. Art that will soon find its way into the pages of Marvel’s signature webhead, as Ryan Ottley slings his pencils within the pages of The Amazing Spider-Man for Marvel’s Fresh Start.

Invincible #144 is an intimate and no-holds barred appreciation of a genre that feels utterly satisfying in its conclusion.

For the price of a cup of coffee, you can own a story in your hand. A story that you can not only read, but gawk at as page after page contains the most delightful art available in the finest of narrative mediums on shelves today. This week’s selection of comic books is about as eclectic as things come: DC kicks off the Milk Wars with the Doom Patrol running into the Justice League, really really ol’ Jack Burton has something to say and Deadpool is the biggest bastard around.