Concrete Genie's engrossing mix or classic street art and the living, creating creations of your imagination drive home how Sony is investing well into independant studios.

Call of Cthulhu from Cyanide Studios is and investigative RPG that’s the official adaptation of Chaosium’s pen-and-paper one. It’s all about uncovering the deepening mysteries and the eventual, unavoidable descent into madness that tends to happen in things of a Lovecraftian nature.

A Plague Tale: innocence is a game we’ve seen before at E3. The Asobo-developed Focus Home-published third-person adventure piqued our interest last year with its dark, foreboding medieval tale.

Assassin's Creed keeps many elements established in Origins, but introduces many of its own new tricks to make it feel distinctly different.

The Division 2 isn't trying to get new players into its established franchise, but it is doubling down on making sure existing players have a reason to continue playing.

Ori and the Will of the Wisps maintains the tough as nails platforming and combat as the original, but brings in some innovative new abilties to help make them feel fresh again.

Battlefield has always lived on its multiplayer modes. Introduced in Battlefield 1, Operations was a new mode that attempted to inject a little of the flair of single player narratives within a multiplayer context, with multiple objectives that span across expansive maps. Grand Operations takes that premise, and as its name suggests, makes it bigger.

Just as RPGs have drifted into the mainstream, to the point that games such as Horizon: Zero Dawn and even Wolfenstein share a similar grind-oriented approach to levelling up, MMO presentation makes more sense for an open-world vehicular adventure than it did a few short years ago. The Crew 2 concept might seem quite a leap in theory, yet in practice we found the vehicle switching made sense, and could almost be treated as an alternative social space to so many fantasy worlds or science-fiction shooters.